epistemical, ethical and aesthetical structures of biomedical knowledge as cultural artefact

pp.1-12

pp.15-23

pp.25-39

pp.41-55

pp.57-70

pp.71-78

pp.79-87

pp.89-94

pp.95-113

pp.115-121

pp.125-138

visual narratives of medical imaging and intervention technologies and the popular viscourse

pp.139-156

pp.157-178

pp.179-194

case study of Chris Karsten's trilogy the skin collector (2012), the Skinner's revenge (2013) and face-off (2014)

pp.195-206

the construction of norms and normality in popular culture

pp.207-227

pp.229-243

contemporary art and its conflicting representations of scientific knowledge

pp.245-258

from radiation to genetics in the origin of spider-man

pp.259-270

pp.271-282

pp.283-300

abduction, discovery and creativity

pp.301-306

pp.307-319

setting the scene for public encounters with biomedicine

pp.323-335

pp.337-349

pp.351-369

pp.371-385