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Shakespeare and consciousness
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Consciousness and cognition in Shakespeare and beyond
pp.19-42
https://doi.org/10.1057/978-1-137-59541-6_2
King of shadows
early modern characters and actors
pp.99-118
https://doi.org/10.1057/978-1-137-59541-6_5
The distributed consciousness of Shakespeare's theatre
pp.119-138
https://doi.org/10.1057/978-1-137-59541-6_6
Minds at work
writing, acting, watching, reading Hamlet
pp.139-161
https://doi.org/10.1057/978-1-137-59541-6_7
"Being unseminared"
pleasure, instruction, and playing the queen in anthony and cleopatra
pp.165-189
https://doi.org/10.1057/978-1-137-59541-6_8
Bodies and selves
autoscopy, out-of-body experiences, mind-wandering and early modern consciousness
pp.191-213
https://doi.org/10.1057/978-1-137-59541-6_9
Hamlet and time-consciousness
a neurophenomenological reading
pp.215-245
https://doi.org/10.1057/978-1-137-59541-6_10
Shylock's shy conscience
consciousness and conversion in the Merchant of venice
pp.249-266
https://doi.org/10.1057/978-1-137-59541-6_11Publication details
Publisher: Springer
Place: Dordrecht
Year: 2016
Pages: 307
ISBN (hardback): 978-1-137-59671-0
ISBN (digital): 978-1-137-59541-6
Full citation:
Budra Paul, Werier Clifford (2016) Shakespeare and consciousness. Dordrecht, Springer.