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Coda
pp. 194-205
Abstract
Our primary aim in this book has been to reconceive the relationship between memory and imagination. In doing this we have explored the diverse ways in which memory and imagination interact in people's negotiations of the past, from the casual engagement with a photograph of a loved one to the reception of collective pasts represented in popular film or literature. Through reconciling memory and imagination we hope to have provided new ways of thinking about certain difficulties and debates in memory studies. We also hope to have offered useful pointers towards improving our understanding of the mnemonically inscribed contours and fluctuating temporalities of everyday life. In this short tail-piece we want to reflect on the temporal modalities of the mnemonic imagination itself by thinking back over our examination of memory and imagination and where it has taken us, so considering what it offers to memory studies and what it suggests is needed from future research that is conducted in the field.
Publication details
Published in:
Keightley Emily, Pickering Michael (2012) The mnemonic imagination: remembering as creative practice. Basingstoke, Palgrave Macmillan.
Pages: 194-205
Full citation:
Keightley Emily, Pickering Michael (2012) Coda, In: The mnemonic imagination, Basingstoke, Palgrave Macmillan, 194–205.