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209568

She's leaving home

women's sixties renaissance

Lynne Segal

pp. 29-42

Abstract

It is rather amazing to be at a celebration of 1968 that begins, and also ends, with reflections by feminists on women's position in the Sixties. Certainly, it is usually not women who are highlighted in reflections upon what became the iconic year of that momentous decade. Yet, far from it being simply tokenism to ensure the inclusion of a few women's voices, retrospectively, it now seems quite essential to draw attention to women's place in Sixties memorabilia. Merely saying so, however, brings to light at least two things. First of all, it confirms how distant we are now from the structures of feeling 40 years ago; second, and most interestingly, it indicates how memory itself mutates, allowing us to look back and see the past differently, differently from how it was seen at the time, or even how we might once ourselves have looked back upon the era.

Publication details

Published in:

Bhambra Gurminder K, Demir Ipek (2009) 1968 in retrospect: history, theory, alterity. Basingstoke, Palgrave Macmillan.

Pages: 29-42

DOI: 10.1057/9780230250857_2

Full citation:

Segal Lynne (2009) „She's leaving home: women's sixties renaissance“, In: G.K. Bhambra & I. Demir (eds.), 1968 in retrospect, Basingstoke, Palgrave Macmillan, 29–42.