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225214

World cinema's "dialogues" with Hollywood

edited byPaul Cooke

Abstract

Paul Cooke looks at Hollywood's interaction with national and transnational cinemas, from German Expressionism to Bollywood and Chinese film. While Hollywood has had a huge impact on the medium - doing all the talking in the 'dialogue' - world cinema's economic, aesthetic and political relationship with Hollywood is of profound importance.

Details | Table of Contents

Introduction

world cinema's "dialogues" with hollywood

Paul Cooke

pp.1-16

https://doi.org/10.1057/9780230223189_1
From Caligari to Edward Scissorhands

the continuing meta-cinematic journey of German expressionism

Paul Cooke

pp.17-34

https://doi.org/10.1057/9780230223189_2
Dream factory and film factory

the Soviet response to Hollywood 1917–1941

Graham Roberts

pp.35-51

https://doi.org/10.1057/9780230223189_3
A fistful of Yojimbo

appropriation and dialogue in Japanese cinema

Rachael Hutchinson

pp.172-187

https://doi.org/10.1057/9780230223189_11
All that melodrama allows

Sirk, Fassbinder, Almodóvar, Haynes

Eric M. Thau

pp.188-200

https://doi.org/10.1057/9780230223189_12
Lost in translation

a few vagaries of the alphabet game played between Bombay cinema and Hollywood

Kaushik Bhaumik

pp.201-217

https://doi.org/10.1057/9780230223189_13
Between sunrise and sunset

an elliptical dialogue between American and European cinema

Rob Stone

pp.218-237

https://doi.org/10.1057/9780230223189_14

Publication details

Publisher: Palgrave Macmillan

Place: Basingstoke

Year: 2007

Pages: 266

DOI: 10.1057/9780230223189

ISBN (hardback): 978-1-349-54743-2

ISBN (digital): 978-0-230-22318-9

Full citation:

Cooke Paul (2007) World cinema's "dialogues" with Hollywood. Basingstoke, Palgrave Macmillan.