Any serious discussion on creativity and Gestalt therapy must include the name Salomo Friedlaender. Indeed, Friedlaender should be given special recognition; not only is he one of Gestalt therapy's main theorists, but also his relation to the theme of creativity is already clearly alluded to in the title of his principal work: Creative Indifference (1918). Yet, Friedlaender is hardly known in Gestalt therapy circles (especially to non-German speakers), even though Fritz Perls explicitly referred to Friedlaender's central importance in his own approach: