In his essay “The Uncanny,” Sigmund Freud describes the uncanny as what is concealed and frightening in the familiar and agreeable or vice versa.¹ He moves from discussing animated dolls, the Sandman’s fear of losing his eyes as castration anxiety, doubles and mirrors, fear of death, dear of the dark, to the mother’s body. In general, he attributes uncanny sensations to castration anxiety (whether from seeing the mother’s “castrated sex” or as symbolically represented by pecked out eyes) and the return, or repetition, of repressed childhood fears or desires.