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New realities
being syncretic
Details | Table of Contents
pp.7-7
https://doi.org/10.1007/978-3-211-78891-2_1pp.8-9
https://doi.org/10.1007/978-3-211-78891-2_2pp.10-19
living in a variable reality
pp.22-25
https://doi.org/10.1007/978-3-211-78891-2_4a sojourn into the uncanny valley
pp.26-29
https://doi.org/10.1007/978-3-211-78891-2_5syncretising difference to co-create a synergy-of-synergies
pp.30-33
https://doi.org/10.1007/978-3-211-78891-2_6pp.34-37
https://doi.org/10.1007/978-3-211-78891-2_7reflections on Henri Bergson's philosophy and Aby Warburg's mnemosyne atlas
pp.42-45
https://doi.org/10.1007/978-3-211-78891-2_9tools for the virtual and the invention of a new event structure
pp.46-50
https://doi.org/10.1007/978-3-211-78891-2_10pp.51-55
https://doi.org/10.1007/978-3-211-78891-2_11the multiplicity of the living
pp.56-59
https://doi.org/10.1007/978-3-211-78891-2_12pp.65-68
https://doi.org/10.1007/978-3-211-78891-2_14fine-tuning in-between states
pp.69-72
https://doi.org/10.1007/978-3-211-78891-2_15the influence of syncretic thought acting as a motor of evolution in actual dance
pp.73-77
https://doi.org/10.1007/978-3-211-78891-2_16from Bergson to Bohm
pp.78-81
https://doi.org/10.1007/978-3-211-78891-2_17pp.86-89
https://doi.org/10.1007/978-3-211-78891-2_19how can physiological instruments become tools of self-perception?
pp.90-93
https://doi.org/10.1007/978-3-211-78891-2_20pp.94-97
https://doi.org/10.1007/978-3-211-78891-2_21reflections on "conveyence matter"
pp.102-105
https://doi.org/10.1007/978-3-211-78891-2_23pp.110-113
https://doi.org/10.1007/978-3-211-78891-2_25an enactive approach to sound in interaction design
pp.114-117
https://doi.org/10.1007/978-3-211-78891-2_26encounters of Gordon Pask, Cedric Price and John Frazer (a brief account)
pp.118-122
https://doi.org/10.1007/978-3-211-78891-2_27choices in virtual worlds — using boundary/borders theories
pp.127-131
https://doi.org/10.1007/978-3-211-78891-2_29creating emotionally empathic circuits between audiences and interactive arts
pp.136-139
https://doi.org/10.1007/978-3-211-78891-2_31pp.140-143
https://doi.org/10.1007/978-3-211-78891-2_32pp.144-147
https://doi.org/10.1007/978-3-211-78891-2_33syncretic aspects of Korean digilog-culture
pp.148-151
https://doi.org/10.1007/978-3-211-78891-2_34pp.152-155
https://doi.org/10.1007/978-3-211-78891-2_35toy-object, Schwarzgerät and dingpolitik as ludic research objectives
pp.156-160
https://doi.org/10.1007/978-3-211-78891-2_36creating and using installation art in order to provide a better understanding of the subjective experience of psychosis
pp.161-164
https://doi.org/10.1007/978-3-211-78891-2_37outline of a clinico-political approach to a "consciousness-multiple"
pp.169-173
https://doi.org/10.1007/978-3-211-78891-2_39pp.174-177
https://doi.org/10.1007/978-3-211-78891-2_40pp.178-181
https://doi.org/10.1007/978-3-211-78891-2_41Duchamp, direct and indirect strategies
pp.182-185
https://doi.org/10.1007/978-3-211-78891-2_42déjà vu and contemporary cinema
pp.186-189
https://doi.org/10.1007/978-3-211-78891-2_43a syncretic approach to understanding presence
pp.190-193
https://doi.org/10.1007/978-3-211-78891-2_44Publication details
Publisher: Springer
Place: Dordrecht
Year: 2009
Pages: 206
ISBN (hardback): 978-3-211-78890-5
ISBN (digital): 978-3-211-78891-2
Full citation:
Ascott Roy, Bast Gerald, Fiel Wolfgang, Jahrmann Margarete, Schnell Ruth (2009) New realities: being syncretic. Dordrecht, Springer.