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187077

Cross-synthesis using interverted principal harmonic sub-spaces

Thierry Rochebois Gérard Charbonneau

pp. 375-385

Abstract

Nowadays, analysis and synthesis processes allow a wide variety of timbral effects. One of the most popular effects is known as cross-synthesis. Cross-synthesis consists in combining timbral parameters from two distinct sounds to obtain a new hybrid sound. This paper introduces the use of principal component analysis (PCA) in an analysis/synthesis process and shows its flexibility for the creation of hybrid sounds.

Publication details

Published in:

Leman Marc (1997) Music, Gestalt, and computing: studies in cognitive and systematic musicology. Dordrecht, Springer.

Pages: 375-385

DOI: 10.1007/BFb0034127

Full citation:

Rochebois Thierry, Charbonneau Gérard (1997) „Cross-synthesis using interverted principal harmonic sub-spaces“, In: M. Leman (ed.), Music, Gestalt, and computing, Dordrecht, Springer, 375–385.