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The global sixties in sound and vision
media, counterculture, revolt
Abstract
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.
Details | Table of Contents
pop and politics in post-1968 France
pp.15-27
https://doi.org/10.1057/9781137375230_2godard and Antonioni in America
pp.43-64
https://doi.org/10.1057/9781137375230_4the politics of privacy in the new American cinema
pp.65-82
https://doi.org/10.1057/9781137375230_5pp.83-100
https://doi.org/10.1057/9781137375230_6language, sound, and image in Wallace Berman's Aleph, 1956–1966
pp.101-118
https://doi.org/10.1057/9781137375230_7Gustav Metzger, the idea of auto-destructive works of art, and its influence on rock music
pp.119-134
https://doi.org/10.1057/9781137375230_8Alfred Hilsberg, West German punk, and the sixties
pp.135-150
https://doi.org/10.1057/9781137375230_9the fourth way, the counterculture, and capitol records
pp.151-166
https://doi.org/10.1057/9781137375230_10black arts, black power, and the 1969 pan-African cultural festival
pp.167-184
https://doi.org/10.1057/9781137375230_11the transatlantic sight and sound of Peter Blake's Got a girl (1960–1961)
pp.211-226
https://doi.org/10.1057/9781137375230_13art and technocracy, 1968
pp.227-244
https://doi.org/10.1057/9781137375230_14Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 2014
Pages: 296
ISBN (hardback): 978-1-349-47726-5
ISBN (digital): 978-1-137-37523-0
Full citation:
Scott Brown Timothy, Lison Andrew (2014) The global sixties in sound and vision: media, counterculture, revolt. Basingstoke, Palgrave Macmillan.