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208587

Russian theatre in the age of modernism

edited byRobert RussellAndrew Barratt

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Stanislavsky's production of Chekhov's three sisters Nick Worrall

pp.1-32

https://doi.org/10.1007/978-1-349-20749-7_1
Boris Geyer and cabaretic playwriting Laurence Senelick

pp.33-65

https://doi.org/10.1007/978-1-349-20749-7_2
Boris Pronin, Meyerhold and cabaret

some connections and reflections

Michael S. Green

pp.66-86

https://doi.org/10.1007/978-1-349-20749-7_3
Leonid Andreyev's He who gets slapped

who gets slapped?

Andrew Barratt

pp.87-105

https://doi.org/10.1007/978-1-349-20749-7_4
Kuzmin, Gumilev and Tsvetayeva as neo-romantic playwrights Simon Karlinsky

pp.106-122

https://doi.org/10.1007/978-1-349-20749-7_5
Mortal masks

Yevreinov's Drama in two acts

Spencer Golub

pp.123-147

https://doi.org/10.1007/978-1-349-20749-7_6
The first Soviet plays Robert Russell

pp.148-171

https://doi.org/10.1007/978-1-349-20749-7_7
The nature of the Soviet audience

theatrical ideology and audience research in the 1920s

Lars Kleberg

pp.172-195

https://doi.org/10.1007/978-1-349-20749-7_8
German expressionism and early Soviet drama Harold B. Segel

pp.196-218

https://doi.org/10.1007/978-1-349-20749-7_9
Down with the foxtrot!

concepts of satire in the Soviet theatre of the 1920s

J. A. E. Curtis

pp.219-235

https://doi.org/10.1007/978-1-349-20749-7_10
Mikhail Bulgakov

the status of the dramatist and the status of the text

Lesley Milne

pp.236-259

https://doi.org/10.1007/978-1-349-20749-7_11

Publication details

Publisher: Palgrave Macmillan

Place: Basingstoke

Year: 1990

Pages: 269

DOI: 10.1007/978-1-349-20749-7

ISBN (hardback): 978-1-349-20751-0

ISBN (digital): 978-1-349-20749-7

Full citation:

Russell Robert, Barratt Andrew (1990) Russian theatre in the age of modernism. Basingstoke, Palgrave Macmillan.