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The perception of sound movements as expressive gestures
pp. 509-517
Abstract
This paper is a preliminary attempt to investigate the perception of sound movements as expressive gestures. The idea is that if sound movement is used as a musical parameter, a listener (or a subject) should be able to distinguish among different movements and she/he should be able to group them also according to the expressive intention that a given sound movement is supposed to convey. A couple of experiments have been carried out in this direction: first the subjects had to group the stimuli according to the perceived expressive intention, then they had to reproduce the sound movement by drawing it on a tablet. Preliminary results show that subjects could consistently group the stimuli, and that they primarily used paths and legato–staccato patterns to discriminate among different sound movements/expressive intention.
Publication details
Published in:
Aramaki Mitsuko, Derrien Olivier, Kronland-Martinet Richard, Ystad Sølvi (2014) Sound, music, and motion: 10th international symposium, CMMR 2013, Marseille, France, October 15-18, 2013. revised selected papers. Dordrecht, Springer.
Pages: 509-517
DOI: 10.1007/978-3-319-12976-1_30
Full citation:
de Götzen Amalia, Sikström Erik, Korsgaard Dannie, Serafin Stefania (2014) „The perception of sound movements as expressive gestures“, In: M. Aramaki, O. Derrien, R. Kronland-Martinet & S. Ystad (eds.), Sound, music, and motion, Dordrecht, Springer, 509–517.