Repository |

COPR Bookmark Link
226096

Transdisciplinary digital art. sound, vision and the new screen

digital art weeks and interactive futures 2006/2007, Zurich, Switzerland and Victoria, BC, Canada. selected papers

edited byRandy AdamsSteve GibsonStefan Müller Arisona

Abstract

This volume collects selected papers from the past two instances of Digital Art Weeks (Zurich, Switzerland) and Interactive Futures (Victoria, BC, Canada), two parallel festivals of digital media art. The work represented in Transdisciplinary Digital Art is a confirmation of the vitality and breadth of the digital arts. Collecting essays that broadly encompass the digital arts, Transdisciplinary Digital Art gives a clear overview of the on-going strength of scientific, philosophical, aesthetic and artistic research that makes digital art perhaps the defining medium of the 21st Century.

Details | Table of Contents

Introduction

why transdisciplinary digital art?

Steve Gibson

pp.1-2

https://doi.org/10.1007/978-3-540-79486-8_1
The ethics of aesthetics Don Ritter

pp.5-14

https://doi.org/10.1007/978-3-540-79486-8_2
Ethical and activist considerations of the technological artwork David Cecchetto

pp.15-25

https://doi.org/10.1007/978-3-540-79486-8_3
DIY

the militant embrace of technology

Marcin Ramocki

pp.26-32

https://doi.org/10.1007/978-3-540-79486-8_4
Tuning in Rorschach maps Will Pappenheimer

pp.33-45

https://doi.org/10.1007/978-3-540-79486-8_5
Body degree zero anatomy of an interactive performance Alan Dunning Paul Woodrow

pp.46-59

https://doi.org/10.1007/978-3-540-79486-8_6
Artificial, natural, historical Julian Rohrhuber

pp.60-70

https://doi.org/10.1007/978-3-540-79486-8_7
The colour of time (God is a lobster and other forbidden bodies) Johnny Golding

pp.71-79

https://doi.org/10.1007/978-3-540-79486-8_8
Behind the screen

installations from the interactive future

Ted Hiebert

pp.80-97

https://doi.org/10.1007/978-3-540-79486-8_9
Transliteracy and new media Sue Thomas

pp.101-109

https://doi.org/10.1007/978-3-540-79486-8_10
Digital archiving and "the new screen" John Barber

pp.110-119

https://doi.org/10.1007/978-3-540-79486-8_11
Digital fiction

from the page to the screen

Kate Pullinger

pp.120-126

https://doi.org/10.1007/978-3-540-79486-8_12
The present [future] of electronic literature Dene Grigar

pp.127-142

https://doi.org/10.1007/978-3-540-79486-8_13
Transient passages

the work of Peter Horvath

Celina Jeffery

pp.143-152

https://doi.org/10.1007/978-3-540-79486-8_14
Visceral mobile music systems Atau Tanaka

pp.155-170

https://doi.org/10.1007/978-3-540-79486-8_15
Designing a system for supporting the process of making a video sequence Shigeki AmitaniErnest Edmonds

pp.171-186

https://doi.org/10.1007/978-3-540-79486-8_16
Video game audio prototyping with half-life 2 Leonard J. Paul

pp.187-198

https://doi.org/10.1007/978-3-540-79486-8_17
Computer-assisted content editing techniques for live multimedia performance Stefan Müller ArisonaPascal MüllerSimon Schubiger-BanzMatthias Specht

pp.199-212

https://doi.org/10.1007/978-3-540-79486-8_18
Computational audiovisual composition using Lua Wesley SmithGraham Wakefield

pp.213-228

https://doi.org/10.1007/978-3-540-79486-8_19
Interrellation

sound-transformation and remixing in real-time

Hannes RaffasederMartin Parker

pp.229-237

https://doi.org/10.1007/978-3-540-79486-8_20
Functors for music

the rubato composer system

Guerino Mazzola Gérard MilmeisterKarim MorsyFlorian Thalmann

pp.238-254

https://doi.org/10.1007/978-3-540-79486-8_21
Inventing malleable scores

from paper to screen based scores

Arthur Clay

pp.255-269

https://doi.org/10.1007/978-3-540-79486-8_22
Glimmer

creating new connections

Jason Freeman

pp.270-283

https://doi.org/10.1007/978-3-540-79486-8_23
Variations on variations Dániel Biró

pp.284-298

https://doi.org/10.1007/978-3-540-79486-8_24
Gestures, interfaces and other secrets of the stage Eva Sjuve

pp.301-312

https://doi.org/10.1007/978-3-540-79486-8_25
Beyond the threshold

the dynamic interface as permeable technology

Carolyn Guertin

pp.313-325

https://doi.org/10.1007/978-3-540-79486-8_26
Copuppet

collaborative interaction in virtual puppetry

Paolo BottoniStefano FaralliAnna LabellaAlessio MaliziaMario PierroSemi Ryu

pp.326-341

https://doi.org/10.1007/978-3-540-79486-8_27
Experiments in digital puppetry

video hybrids in Apple's Quartz composer

Ian Grant

pp.342-357

https://doi.org/10.1007/978-3-540-79486-8_28
Formalized and non-formalized expression in musical interfaces Cornelius Poepel

pp.358-373

https://doi.org/10.1007/978-3-540-79486-8_29
Interactive spaces Jeffrey HuangMuriel Waldvogel

pp.377-391

https://doi.org/10.1007/978-3-540-79486-8_30
From electric devices to electronic behaviour Stijn Ossevoort

pp.392-402

https://doi.org/10.1007/978-3-540-79486-8_31
Scentsory design®

scent whisper and fashion fluidics

Jennifer Tillotson

pp.403-417

https://doi.org/10.1007/978-3-540-79486-8_32
Advances in expressive animation in the interactive performance of a butoh dance Jürg GutknechtIrena KulkaPaul LukowiczTom Stricker

pp.418-433

https://doi.org/10.1007/978-3-540-79486-8_33
Anthropocentrism and the staging of robots Louis-Philippe DemersJana Horakova

pp.434-450

https://doi.org/10.1007/978-3-540-79486-8_34
Imaging place

globalization and immersive media

John Freeman

pp.453-466

https://doi.org/10.1007/978-3-540-79486-8_35
About... software, surveillance, scariness, subjectivity (and SVEN) Amy Alexander

pp.467-475

https://doi.org/10.1007/978-3-540-79486-8_36
The nova display system Simon Schubiger-BanzMartina Eberle

pp.476-487

https://doi.org/10.1007/978-3-540-79486-8_37
Four wheel drift Petra WatsonJulie Andreyev

pp.488-500

https://doi.org/10.1007/978-3-540-79486-8_38

Publication details

Publisher: Springer

Place: Dordrecht

Year: 2008

Pages: 500

Series: Communications in Computer and Information Science

Series volume: 7

DOI: 10.1007/978-3-540-79486-8

ISBN (hardback): 978-3-540-79485-1

ISBN (digital): 978-3-540-79486-8

Full citation:

Adams Randy, Gibson Steve, Müller Arisona Stefan (2008) Transdisciplinary digital art. sound, vision and the new screen: digital art weeks and interactive futures 2006/2007, Zurich, Switzerland and Victoria, BC, Canada. selected papers. Dordrecht, Springer.